Pity that the producers of Don’t Look Up – an ironic title, in more than one sense – overlooked the fact that, as I have indicated above, the more likely, and unavoidable, metaphorical interpretation of the movie bears on the implicit exhortation, not to ‘look up’ in the sense of not ‘waking up’ to the true intentions of those who have touted the supposed Covid ‘vaccines.’ (‘We can’t have that now, can we!’) Looking back, however, they forgot the saying about being ‘hoist with their own petard.’ Weaponising entertainment can, and sometimes does, backfire.
By and large, this covers captivating movies and series, in which one can immerse oneself so completely that events in the ‘real’ world are almost completely blotted out.
One of the most widely used means the tyrannical globalists employ, to lull the populace into a state of anaesthesia as far as the goings-on behind the scenes are concerned, has to do with ‘entertainment’ of the kind one finds in the realm of streaming services such as Netflix or Showmax.
Not that I have anything against watching a good movie or series, such as The Blacklist or Maestro in Blue, on Netflix; my partner and I do so regularly, except that it is not at the cost of forgetting the very real threat to our liberty and lives hanging over us daily.
To this may be added a more direct, or active way of doing so; namely, through films or television series which communicate a mostly subliminal, but sometimes more explicit ‘message’ to viewers about what to expect in the future, thus ‘pre-programming’ them for such events.
Even popular movies are no exception to this rule.
Only…as we now know, taking the jab amounted to such large-scale suicide.
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